Schlitz, Laura Amy. (2010).
The Night Fairy. Candlewick Press: Somerville, MA.
Flory is a young night fairy, determined to live during the day due to a bad night-time experience which cost her wings and rendered her unable to fly. She forces herself to stay awake during the day and befriends a squirrel, Skuggle. Flory and Skuggle exchange services. Flory takes rides on Skuggle's back and Skuggle learns from Flory where tasty food may be found. One day Flory finds a hummingbird trapped in a spider web and realizes how wonderful it would be to own the hummingbird and ride wherever she might like on the back of that small bird, but when she attempts to free the bird in exchange for the bird's lifelong services, the bird refuses. The bird maintains her free-will and employs Flory to save her eggs instead. This is the story of unlikely friendships in a place no night-fairy should go. Beautifully told and illustrated, it is the perfect story for a child who enjoys nature and imagination. (Grades 2 and up).
Turner, Megan Whalen. (1996).
The Thief. HarperCollins Children's Books: New York, NY.
Gen is taken from prison to serve the king's magus who wants him to steal Hamiathes's Gift. The Gift ensures the holder immortality, but to carry it is a great burden. Gen travels with these "overeducated adventurers" as he refers to them at one point, and through verbal jabs and minor debates, attempts to earn a rightful place among his guards. Told in the first person, Gen's narrative is thought-provoking and endearing. Readers are sure to wonder whether they should trust Gen, a professional thief, and at the same time love him dearly. It is clear that Gen is very intelligent throughout the story even though he is consistently jeered at by his captors. In the end, Gen finds himself trapped in a timed water maze and unsure of whether he has what it takes to approach the Gods and steal the Gift. The book ends with a wonderful twist of events and is written in clever prose. (Grades 4 and up).
Banks, L. R. (1998). The Key to the Indian. New York: Avalon Books, Inc.
This is the fifth and final book in a series about a boy who discovers a magic cupboard and key that will bring his miniature toys to life. The first and most profound toy is a little Indian, an Iroquois named Little Bear. By the fifth book in the series Omri’s dad has found out Omri’s secret and together they team up to travel back and help Little Bear and the Iroquois. Omri and his dad accidently travel with Gillon, Omri’s brother. Omri and Gillon end up in India as wooden puppets being uncomfortably moved about and recklessly displayed by children. From here the story is one nonstop adventure. It is just as thrilling for an adult as it is for a child. While not meant to be educational or even historically accurate, and written very stereotypically, if the reader is aware and able to put these things aside, the story is thrilling entertainment. (Grade 3 and up).
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Gaiman, N. (2008). The Graveyard Book. New York: Harper Collins Children’s Books.
As mother of a one year old boy, this book could have been potentially horrifying and for those whom I described it to, it was. But it needs to be read for people to understand how a story of murder can be acceptable for children. In the midst of it all a small child scoots down the stairs on a padded bum and crawls out to the cemetery. In the cemetery he finds the ghosts of Mr. and Mrs. Owens and a dark, hidden man named Silas. In moments of horror the two ghosts agree to be the child’s parents and Silas his guardian. For he needs someone, Silas, to find food for him and to educate him in the ways of the world and he needs parents to raise him and love him. From these three he gets what he needs and lives in the graveyard, beyond all belief, for fourteen years. This story is fascinating in only a way Neil Gaiman can write it and believable for the perspective embedded in the story of a child living in a graveyard. Simply a must-read. (Grades 3 and up).
Martin, A., Godwin, L. (2000). The Doll People. New York: Scholastic, Inc.
This book is illustrated by Brian Selznick who also wrote and illustrated The Inventions of Hugo Cabret. Annabelle doll and her family have lived for one hundred years with one family in their dollhouse. For one hundred years they have not strayed from the dollhouse, all except for Auntie Sarah, who went missing forty five years ago. Something stirs in eight-year old Annabelle doll and she goes searching. She finds her Auntie Sarah’s diary. And then she meets Tiffany Funcraft. Tiffany has moved into the bedroom nextdoor and has lots of spunk and energy. Together, they make a plan to evade Doll State, Permanent Doll State, and The Captain (the cat) in order to find Auntie Sarah.
Milne, A.A. (1926). Winnie-the-Pooh. New York: Puffin Books.
This is the classic story of Winnie-the-Pooh and Christopher Robin. It begins with the narrator telling a story to his son, Christopher Robin. The narrator inserts Christopher Robin into the story so that his son enjoys listening to a story about himself and his stuffed animals who take on lives and personalities of their own. Readers are first introduced to Winnie-the-Pooh as he comes thumping down the stairs behind Christopher Robin and then the book is broken into ten chapters with different events about the interactions and imaginings of the animals. Winnie-the-Pooh is driven more by his stomach than by any other body part and so most of his decisions are based on how he can get some honey to eat. Piglet, is as named, a piglet who prefers to be dirty and is not very brave. Rabbit is busy and sometimes not as genuine as he may sound to Winnie-the-Pooh and rather finds ways to move Pooh along. Owl, a self-proclaimed genius and therefore considered so by all his friends, actually cannot even spell. While he uses long words and sounds intelligent, it is left up to the reader to decide how much of a genius he really is. The combination of these characters brings them into predicaments that only Christopher Robin can lead them out of and into comfort again.